It’s here. It’s finally here. The night when the elite portion of the populace gather round the television set amidst plates of fine Sam’s Club cheese trays and $6 Fish Eye to celebrate fashion, fantasy and of course, most importantly, film (ooh, that had a nice ring to it, didn’t it?). We’re like the classier version of the unified blue collar America that swarmed TV’s across the country to watch those really big dudes in tight pants toss around that tiny brown thing at that really big Madonna concert a few weeks ago. Alas, we don’t fux with no men in tight pants; We are the cinephiles, and our time has come to cast shade on Hollywood’s biggest night once again.
2011 brought us many a cinematic masterpiece, from Terrence Malick’s wondrous The Tree of Life to Lars von Trier’s disturbingly beautiful Melancholia, the past year ushered in some of the most monumentally atmospheric filmmaking I’ve ever seen. While the Academy of Motion Picture Arts & Sciences chose to recognize only some of the past year’s filmic feats (I’m casting shade again for the ignoring of Martha Marcy May Marlene and von Trier’s aforementioned gem), a much welcomed inclusion of some of 2011’s lesser-seen art films situates the Academy in tip top form, what with surprise nominations announced last month for the likes of The Tree of Life, A Better Life, etc. in multiple categories.
But I’m not here to inflate the egos of the AMPAS any larger than they already are. No, I’m here to scope out their plan of attack. I’ll be your cinematic equivalent to the Indigo Girls; yes, I will be getting out the map for you. It’s time to get all Ms. Cleo (or Raven, if you’re of a “fresher” generation) and predict the 84th Annual Academy Awards.
Note: Because my talents in the art of awards season prediction only function to a certain extent, I won’t be predicting every category. Until there are six precursor award shows that help narrow down the Oscar winner for Best Animated Short Film category, you can suck it.
Best Motion Picture of 2011:
It’s come as no surprise that The Artist is pretty much sweeping awards season (and by sweep I mean winning most of its nominated categories at any given respective awards show); the Spirit Awards loved it, the SAG recognized some of its talent, and the HFPA gobbled it right on up. As a matter of fact, the HFPA have had quite a bit of agency this year, no? They were among the first to broadcast this awards season, inciting a mid-race change of tide in a few key categories, namely in both female acting and Lead actor categories. But, hell, it wouldn’t be a Best Picture winner without the Weinstein name attached, and The Artist has that in spades.
Part of me is holding out a faint glimmer of hope for The Tree of Life, however. Since the winners this year are based on the number of “#1” rankings a picture gets on AMPAS member score cards, I’m not too sure Malick’s masterpiece should be counted entirely out of the race. It’s a film that, when people (especially critics and guilds) loved it, they really loved it. That love carried it through to a surprise Best Picture, Best Director, and (expected) Best Cinematography nomination. It’s not a lot, but two strong categoriacal nominations for a film most had ruled out before the HFPA even announced their nominations in December (a shut out for Tree, mind you). I hope passion really has a play in tonight’s awards.
Predicted Academy Win: The Artist
If That Doesn’t Win, Then: Hugo will.
What Should Win: The Tree of Life
As elated as I am that Malick was included this year over David “Let’s take a brilliant novel and make a glorified episode of CSI out of it” Fincher, I can’t say I’m entirely happy with the Best Director category this year. More painful than another Scorsese nomination is another empty Woody Allen nomination. Don’t get me wrong, the aging auteur is one of my all-time favorites. It’s just, his contemporary crop hasn’t generated more than a “meh” (asided from Vicky Cristina Barcelona and Match Point) out of me.
Predicted Academy Win: Michel Hazanavicius
If That Doesn’t Win, Then: Martin Scorsese will.
Who Should Win: Terrence Malick
Best Actress in a Leading Role:
If I had a penny for every time the Academy outright used Meryl “I have two Oscars already” Streep, I’d probably be able to buy Nicki Minaj a much needed new weave (“get that child a proper hairpiece, a nice shade of pastel beige if she insists on a color. On my Platinum Card” Streep would say). While it’s an honor of profound levels to even be nominated (as the losers tonight will tell reporters), Streep’s record breaking number of nominations has also turned into a record breaking number of losses. I wouldn’t be surprised if she’s resorted to using her two golden statuettes as book ends (or perhaps earrings? Nah, those are what her Golden Globes are for. Shameless HFPA zing #1, check) for all of this “you’re great, but not 1980s-era Meryl great”. It seemed like Streep would collect her third Oscar up until the SAG had to go and goof on us (really? You’ll tie Streep with Anne Hathaway but won’t single her out over Viola freaking Davis?), and that notion holds true through tonight. It truly blows that some of the best, most memorable moments of her career (Doubt, in all it’s ludicrosity, anyone?) have fallen victim to the likes of Kate Winslet and Sandra Bullock (yes, I’m still bitter). At least Davis is a worthy adversary. Look for Streep to be brushed aside yet again tonight.
Predicted Academy Win: Viola Davis
If She Doesn’t Win, Then: Meryl Streep will.
Who Should Win: Meryl Streep
Best Actor in a Leading Role:
A film like Up in the Air, that truly harnesses the star power of one of Hollywood’s most consistently familiar, relevant actors and turns it on its head, is exactly the kind of film The Descendants, the latest George Clooney vehicle, is not. We’ve seen good old (and yes, I mean literally, old…when did he become an Ent a’la Lord of the Rings on us?) George gobble up and spit out roles like this before, and his inclusion in this categoryonly speaks to his power as a star and not to his talent (which he posseses) as an actor. Dujardin is part of what elevates the self-aware Artist past the point of representational, re-creational mimicry; he’s part of why the film has a soul of its own. He’s the actor in the film, not simply the star. And that’s a very hard thing to do in today’s industry.
Predicted Academy Win: Jean Dujardinin
If He Doesn’t Win, George Clooney will.
Who Should Win: Jean Dujardin
Best Supporting Actress
This is my “Sophie’s Choice” category of the year. My heart remains in Jessica Chastain’s hands. I cried tears of pain as she wept for Octavia Spencer at the Globes. But I was also sort of crying for Octavia Spencer. She’s come such a long way since singing “like Mariah” on Ugly Betty (someone, anyone, please get that reference to the single most hilarious moment in the history of that show), and her work in The Help has been predicted to sweep awards season since last summer. Problem is, her performance is simply not the best supporting one in the film. Chastain is leaps and bounds ahead of her, creating levels of depth in what should have been a very one-tier character. Do I choose the personality I like better or the performance that I like better? Meryl, want to help me out with this one? (her little “let’s name and mispronounce every actress in a film this year so I don’t sound conceited” at the Globes qualifies her to help, here). Spencer came out of nowhere mid-race, leaving Chastain’s sweep of the early precursors entirely for naught. Damn you, HFPA.
Predicted Win: Octavia Spencer
If She Doesn’t Win: Jessica Chastain will.
Who Should Win: Jessica Chastain.
Can I just pull a “Max von Sydow in Extremely Loud” and say nothing on this one? Do I ever say anything about Supporting Actor?
Predicted Win: Christopher Plummer
If He Doesn’t Win: Kenneth Branagh will.
Who Should Win: Christopher Plummer
The rest of my predictions for the “lesser” categories are as follows:
Original Screenplay: Midnight in Paris
Adapted Screenplay: The Descendants
Best Animated Feature: Rango
Best Documentary: Paradise Lost 3: Purgatory
Best Foreign Film: A Separation
Best Cinematography: The Tree of Life
Best Editing: Hugo
Best Score: The Artist
Best Makeup: The Iron Lady
Best Costume Design: The Artist
Best Visual Effects: Hugo
Best Art Direction: Hugo