Note: Although originally published in the Pittsburgh Post-Gazette, this started as an idea for this blog. I’ve always been interested in ‘Top Model’, yet the show’s aim at creating a real supermodel has always fascinated me in its absurdly presented (and impossible) format which has no relevance to the fashion industry at all. For this piece, I interviewed Jade Cole, Bre Scullark, Monique Weingart, and a slew of people ranging from Ford Models and Anna Sui booking agents, executive producers, and fans and fellow (non-ANTM, I should add) models alike. I was very proud of the piece (front page of Mag section! Holla!) and even more proud of the fact that I royally pissed off Cycle 10’s Lauren Utter with the nerve I had to dare ask her for an interview. She called me “fraudulent” and told me she’d interview with me if I didn’t betray her by spewing her secrets to everyone. I’m sorry, if my memory serves me properly you blabbed to ANYONE who would ask about ‘Top Model’ and its illegitimacy to anyone who’d ask on the IMDB ‘Top Model’ forums. So, again, thanks for blaming your own big-mouthed antics on me even though you told multiple people heapings more than what you revealed to me. Anyway, on to my article:
Originally Published in the Pittsburgh Post-Gazette
By Joey Nolfi (me)
Despite the popularity of “America’s Next Top Model,” former contestants and fashion industry insiders don’t believe the show is an avenue to supermodel stardom.
One of fashion’s greatest minds, Karl Lagerfeld, describes Tyra Banks’ “Top Model” as “trash that’s funny for 5 minutes” but says its contestants “will never become the next Gemma Ward.”
“Modeling is a phenomenal opportunity, a great job, and a s—-y career,” supermodel and former “America’s Next Top Model” judge Paulina Porizkova says in a Huffington Post article about the cutthroat modeling industry.
So why then, since 2003, have countless model hopefuls scrambled for a chance to compete on Ms. Banks’ wildly popular television show in hopes of walking the same runways as Gisele Bundchen and Agyness Deyn?
An all-stars version of Ms. Banks’ hit show returns for Season 17 (seasons are better known as cycles to fans) at 9 tonight on The CW. The show’s format will remain the same as it has for the past 16 installments — 14 contestants will compete for a contract with IMG models, an Express fashion campaign and a cover of Beauty in Vogue magazine. The “All-Stars” version is chock-full of contestants from past seasons again competing for the coveted title.
Since its first airing, the show has garnered millions of loyal viewers and critics on the Internet. Seas of message boards dedicated to praising and bashing particular contestants can be found on countless websites.
Amanda L’Heureux, a 22-year-old Bangor, Maine, resident and avid “Top Model” fanatic, has been watching the show since its fourth season in 2005, blogging about it on her site, “My ANTM Addiction Starts Here.” Ms. L’Heureux says that “All-Stars” is bound to be great television, but will do little to help raise the show’s credibility as a full-fledged representation of the fashion industry.
“I think ‘Top Model’ succeeds as a reality show in a way that a lot of others don’t,” she says. “Despite seeing the purpose of the show fail time and time again, faithful viewers are invested in the contestants for many different reasons. Some people will always support the best model while some tune in to see the funniest girl or the most tragic story. There’s a nice, healthy mix of trash, absurdity and a prize that makes the show decidedly watchable.”
Returning “All-Stars” include fan favorites such as Allison Harvard (Season 12 in 2009) and Shannon Stewart (Season 1 in 2003), but also some of the most notoriously abrasive girls the show has ever seen, namely Camille McDonald (Season 2 in 2004), Angelea Preston (Season 14 in 2010) and Dominique Reighard (Season 10 in 2008).
No longer newcomers on the modeling scene, each has matured well beyond their initial appearance on “Top Model” according to “All-Stars” and Season 5 alum Bre Scullark.
“It’s amazing to see how everybody’s grown and who they’ve become,” said Ms. Scullark, made famous through her involvement in a granola bar theft incident on the show in 2005. “We all have a little more experience and exposure. This time I’m living in a house with girls that really are models. It’s a lot different from [the first time around] living with girls who don’t know if they want to be models or TV stars.”
The blogosphere is abuzz with speculation about the legitimacy of the show as a “serious” fashion endeavor because of the inclusion of “mature” models — the oldest “All-Star” is 33 years old — in the upcoming cast. A model’s career in an industry that craves young, “fresh,” and often unknown faces usually is over by age 25, let alone 33. This has fans and industry insiders alike echoing Mr. Lagerfeld’s criticisms.
“It’s stupid to watch the show as if it’s like the real world,” 22-year-old longtime fan and British model, Avess Arshad, says. “It’s on television, so it loses credibility. [Tyra] is running a superficial show and trying to give it depth beyond anything it ever could have and that’s why it’s so cheesy.”
Detractors of the show have often been those directly involved with production. Janice Dickinson and Ms. Porizkova publicly criticized Ms. Banks and the show after their tenures as judges. Season 5 cast member Lisa D’Amato shocked fans by returning for the “All-Star” season after a very candid interview in 2010 with Out.com where she slammed the show, calling its contestants “[Tyra’s] little monkeys,” saying that Ms. Banks is “absolutely insane,” and that the show “absolutely does not portray the life of a real model.”
In the show’s initial 16 seasons, it has produced successful actresses. Season 3’s Yaya Dacosta starred in Best Picture nominee “The Kids Are All Right” alongside Julianne Moore and Season 10’s Analeigh Tipton garnered critical acclaim for her turn in “Crazy, Stupid, Love” with Steve Carell.
“Top Model” alums also have gone on to become public speakers, television show hosts and lead singers in rock bands, but the one thing “Top Model” has failed to produce is, well, America’s next top model.
“There are very few traditional supermodels these days and models have evolved into reality stars who can model,” said Laura Fuest, executive producer of “America’s Next Top Model. “‘ANTM All Stars’ takes some of the most successful former participants, who have used their experience and exposure on ‘ANTM’ to expand their modeling careers, and helps them to continue evolving their individual brands and entertainment career choices.”
International versions of the “Top Model” franchise have provided star-making platforms for some of the industry’s most in-demand new faces. Winner of the third season of “Australia’s Next Top Model,” supermodel Alice Burdeu, went on to appear on runways around the world, in campaigns for brands such as Dolce & Gabbana as well as gracing the cover of Vogue Australia twice.
Still, the American audience has come to perceive the U.S. version as somewhat of a joke because its first winner, Adrianne Curry, failed to make much of an impact on the fashion industry, instead opting for a career as a television personality with appearances on “The Surreal Life” and “My Fair Brady” after marrying actor Christopher Knight.
“I think the place where ‘ANTM’ has failed the most is dragging along contestants solely for their Cinderella stories or gimmicks,” Ms. L’Heureux says. “Too many times someone who has ‘overcome’ something wins over someone more deserving. That ‘story’ is what they’re recognizable for, not their modeling potential, and that ultimately doesn’t make them bookable.”
With the exception of Ms. Harvard, none of the “All-Stars” contestants was picked for her modeling skill during her previous season, Ms. L’Heureux says.
“They are most notable for their antics. Every single one of them has a notable incident in the show’s history,” she says. “So, this is a brilliant idea as far as the reality aspect of the show is concerned. As a modeling show? Not so much.”
Former contestants on the show agree.
“I don’t think you can go on the [American version of the] show and expect to become a supermodel,” says contestant Monique Weingart, who appeared in Season 16. “I went to L.A. Models to meet with their New Faces division [after my season]. They laughed at me. I’ll go on castings and meet every requirement and bond with the client. They’ll say ‘You look really familiar.’ I’ll tell them I was on ‘Top Model’ and I never get a callback.”
Although some former contestants feel being on the show has been detrimental to their modeling careers, Ms. Scullark has enjoyed a career that’s to her liking.
“I think people don’t like rejection. I think that people don’t like to hear ‘No,’ whether it’s for a show or at a casting. Those are the excuses people hear, but it really just has to do with them personally,” she says. “I can only speak for myself. I have a Garnier Fructis campaign, print ad for Ambi Skincare and Dove Chocolate. I’ve worked really well with great clients after [Season] 5.”
Still, some winners, who usually receive a print campaign with CoverGirl cosmetics, a cover of a magazine (winners have graced everything from Seventeen to Elle Girl) and a contract with a prestigious modeling agency (from Wilhelmina to Elite) have trouble working in the industry. More than half of the show’s champions barely lasted two years with their prize agency. Contestants who won seasons three through six received representation by Ford Models, an agency with offices from Los Angeles to New York. But, when asked whether the winners booked a respectable amount of work while with the agency, a Los Angeles representative for Ford Models chuckled.
“Not necessarily,” he said.
“Breaking into the fashion industry and doing a reality television show are two different things,” Season 6 contestant Jade Cole says of the unfair “stigma” that followed her around after her appearance on the show.
Ms. Cole, one of the most notorious contestants in the history of the show, declined to return for “All-Stars,” citing a “bogus” and “one-sided” contract.
“As much as I would have loved to be back on TV, I felt I possibly would be misrepresented if appearing on [Season] 17,” Ms. Cole says. “[It’s basically] signing your rights and life hypothetically away. … Reality shows frequently portray a modified and highly influenced form of reality. [We’re] often persuaded to act in specific scripted ways by off-screen ‘story editors’ or ‘segment television producers,’ with the portrayal of events and speech manipulated and contrived to create an illusion of reality through direction and post-production editing techniques.”
Still, a faint glimmer of hope remains for past contestants and the upcoming All-Stars. A booking agent for Anna Sui, one of the most successful labels in the fashion industry, said that he would consider booking a model that’d already been exposed to a wide audience on the show.
“It all depends on her look, I guess,” he said. “Anything is possible, but I’m afraid I haven’t been following that program.”